Poetry Wednesday 05/26/10: Heavenly Grass
Heavenly Grass
by Tennessee Williams
My feet took a walk in heavenly grass.
All day while the sky shone clear as glass.
My feet took a walk in heavenly grass,
All night while the lonesome stars rolled past.
Then my feet come down to walk on earth,
And my mother cried when she give me birth.
Now my feet walk far and my feet walk fast,
But they still got an itch for heavenly grass.
But they still got an itch for heavenly grass.
One of America’s greatest playwrights, and certainly the greatest ever from the South, Tennessee Williams wrote fiction and motion picture screenplays, but he also wrote some wonderful poetry.
If Tennessee Williams had never written a single play he would still be known as a distinguished poet. The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry.
Born to Cornelius and Edwina Dakin Williams on March 26, 1911, in Columbus, Mississippi, Thomas Lanier “Tennessee” Williams was amply prepared for writing about society¹s outcasts. His mother was an aggressive woman, obsessed by her fantasies of genteel Southern living. His father, a traveling salesman for a large shoe manufacturer, was at turns distant and abusive. His older sister, Rose, was emotionally disturbed and destined to spend most of her life in mental institutions. He remained aloof from his younger brother, Dakin, whom his father repeatedly favored over both of the older children. Who could have fortold that this shy, sickly, confused young man would become one of America’s most famous playwrights.
More than a half century has passed since critics and theater-goers recognized Williams as an important American playwright, whose plays fellow dramaturge David Mamet calls “the greatest dramatic poetry in the American language”. Williams’s repertoire includes some 30 full-length plays, numerous short plays, two volumes of poetry, and five volumes of essays and short stories. He won two Pulitzer Prizes (for A Streetcar Named Desire in 1947 and Cat on a Hot Tin Roof in 1955), and was the first playwright to receive, in 1947, the Pulitzer Prize for drama, the Donaldson Award, and the New York Drama Critics Circle Award in the same year.
MY LITTLE ONE
My little one whose tongue is dumb,
whose fingers cannot hold to things,
who is so mercilessly young,
he leaps upon the instant things,
I hold him not. Indeed, who could?
He runs into the burning wood.
Follow, follow if you can!
He will come out grown to a man
and not remember whom he kissed,
who caught him by the slender wrist
and bound him by a tender yoke
which, understanding not, he broke.
Tennessee Williams
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